Still, even there hes made changes, dropping a couple of niche programs and bringing in a new one focused on go-go and other D.C. sounds, House of Soul, hosted by James Funk of Rare Essence and DJ Adrian Loving. Beer W. Royal Stokes, a freelance writer for the Washington Post, had two shows. Email: shepperd@cua.edu, Chicanas who stepped up to the microphone for the first time were not only hearing their own voices audibly broadcasted over public airwaves, they also were announcing the arrival of a sonically distinct Chicana public sphere.. In a decade or two, when Internet radio comes standard in every new car, we might all be listening to the same jazz programming everywhere. Regards, 700 V ST NW Washington, DC 20001 (202)462-3700: Uncle Julio's Rio Grand Cafe Bethesda Row 4870 Bethesda Ave. Bethesda, MD 20814 301-656-2981 www.unclejulios.com Under the . Jimmy Gray did Black Fire, where he would tell stories though the music and rarely announce what he played. Steve Hoffman hosted a blues show and Ernest White did public affairs. The workshop was intended to train African American students in broadcasting techniques, and among those who participated in the program were Vincent Muse, David Muse, P. W. Robinson, and the late Aaron Hiter. The station officially went on the air in February 1977not with the traditional Star-Spangled Banner, but with Duke Ellingtons Take the A-Train.. Although Sutton was employed by WHUR, he volunteered to do a show on WPFW with his friend Wash sitting in with him. //--> 30. A comprehensive dialogue with Wpfw programmers can be viewed on Dctv on Robyn Holden's Anc and You program as per the following schedule . Baseball // To the dissenting programmers, the schedule changes represent a betrayal of the stations mission as a progressive, even radical, alternative to mainstream radio and a preserver of jazz, one which particularly serves the D.C. areas black residents. All rights reserved. FM radio had a much clearer sound than AM but reached a smaller audience, partly because at that time fewer people had FM receivers. The daily blues show at noon survived the changes, and an hour of jazz has been inserted in the afternoon. Meanwhile, WPFW has to move. I also interviewed New York saxophonist Noah Howard, who had come to Washington for a performance at the New Thing that didnt work out. One of the things I appreciate is how the Japanese revere elders and artists. they can be deemed national treasures. Jo Reed heard her literary show On the Margin was gone after her final broadcast. The human family is pissed.. Native America is pissed. WPFW may stumble to a new location. 202-588-0999 ext. Voiron Distribution Automobile - Voiron, Auvergne-Rhne-Alpes This excerpt has been edited. (Not four days before a fundraising drive, certainly, which is when the new programming grid was to go into effect.). I lived in DC for 30 years and enjoyed Rusty at his many stops including his lectures sponsored by the Smithsonian Associates. His program on WPFW, however, focused more on blues vocals than jazz instrumentals, and soon he was singing at live performances. I was joined on WAMU by Gerald Lee and Russell Williams, two American University students who established a Saturday afternoon workshop called Sound, Color and Movement, later titled Spirits Known and Unknown. At home later, youre cooking dinnerbut there isnt just one station that fits however you identify. Wpfw corporate office is located in 1990 K St NW Ste 14R, Washington, District of Columbia, 20006, United States and has 29 employees. . One highlight was a visit by Charles Mingus. After Dr. Taylor became artistic director for the jazz program at the Kennedy Center, he did a show for NPR in which his trio would perform with an artist such as Jackie McLean and discuss the guests career between musical performances.
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